Array
(
    [fullTitle] => NEW THINKING ON THE AESTHETICS OF CONTEMPORARY ARCHITECTURE IN THE CONTEXT OF DELEUZE'S PHILOSOPHY
    [abstract] => 
This is an interdisciplinary analysis of Gilles Deleuze's philosophy and contemporary architecture. The objective of the survey was to determine the level of awareness among school and university teachers. The employment of Deleuze at the two extremities of a crucial architectural debate at the core of mainstream practice and as a fundamental source of secondary approaches to design and research has generated a significant body of literature on the subject's significance in architecture. Characterize. Identify this current reluctance as a repetition of earlier design reductions for a product or process, and construct a new path. This article aims to provide an overview of aesthetic studies in architecture, urban design, and the environment. Using new philosophical perspectives and interculturality principles, the study examines the past twelve years as a period of considerable research into the abovementioned challenges. During this period, architectural aesthetics research appears to have evolved into increasingly complex transdisciplinary fields, generating new theoretical concepts and enhancing creative practice procedures.


 

    [authors] => Array
        (
            [0] => Array
                (
                    [givenName] => Yihang
                    [affiliation] => Shanghai Academy of Fine Arts, Shanghai University, Shanghai, 200444, China
                )

            [1] => Array
                (
                    [givenName] => Bo Bai 
                    [affiliation] => School of Art, Guangdong University of Foreign Studies, Guangzhou, 510006, China
                )

        )

    [keywords] => Array
        (
            [0] => Deleuze's philosophy, Contemporary architecture, Critical projects, expression of ethics and aesthetics.
        )

    [doi] => 10.24204/ejpr.2021.3843
    [datePublished] => 2023-03-16
    [pdf] => https://www.philosophy-of-religion.eu/menuscript/index.php/ejpr/article/view/3843/version/1228/3043
)
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NEW THINKING ON THE AESTHETICS OF CONTEMPORARY ARCHITECTURE IN THE CONTEXT OF DELEUZE'S PHILOSOPHY

Yihang
Shanghai Academy of Fine Arts, Shanghai University, Shanghai, 200444, China

Bo Bai
School of Art, Guangdong University of Foreign Studies, Guangzhou, 510006, China

DOI: https://doi.org/10.24204/ejpr.2021.3843

Abstract

This is an interdisciplinary analysis of Gilles Deleuze's philosophy and contemporary architecture. The objective of the survey was to determine the level of awareness among school and university teachers. The employment of Deleuze at the two extremities of a crucial architectural debate at the core of mainstream practice and as a fundamental source of secondary approaches to design and research has generated a significant body of literature on the subject's significance in architecture. Characterize. Identify this current reluctance as a repetition of earlier design reductions for a product or process, and construct a new path. This article aims to provide an overview of aesthetic studies in architecture, urban design, and the environment. Using new philosophical perspectives and interculturality principles, the study examines the past twelve years as a period of considerable research into the abovementioned challenges. During this period, architectural aesthetics research appears to have evolved into increasingly complex transdisciplinary fields, generating new theoretical concepts and enhancing creative practice procedures.

 

Keywords: Deleuze's philosophy, Contemporary architecture, Critical projects, expression of ethics and aesthetics.

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