Array
(
    [fullTitle] => SPIRITUAL AND PHILOSOPHICAL DIMENSIONS OF TANG DYNASTY MUSIC AND DANCE: CULTURAL REVITALIZATION IN THE 'BELT AND ROAD' ERA
    [abstract] => 

The Tang Dynasty (618–907) stands as a pinnacle of cultural, artistic, and spiritual flourishing, with its music and dance embodying profound metaphysical, religious, and philosophical dimensions. Beyond their aesthetic appeal, these art forms served as mediums for spiritual expression, ritualistic practice, and intercultural religious dialogue, particularly along the Silk Road. However, the challenge of revitalizing Tang Dynasty music and dance in contemporary times requires reconciling historical traditions with modern sensibilities, integrating religious and philosophical reflections, and leveraging innovative technologies to enhance their spiritual resonance. This study explores the philosophical and religious significance of Tang Dynasty music and dance within the framework of the Belt and Road Initiative (BRI), emphasizing their role in fostering intercultural exchange, sacred aesthetics, and ethical values. A qualitative research approach is employed, incorporating historical analysis, case studies, and cultural hermeneutics to examine how these ancient art forms can be revitalized while retaining their transcendental and ritualistic essence. Drawing from Buddhist, Daoist, and Confucian influences embedded in Tang Dynasty artistic traditions, this research highlights how these performances once served as vehicles for divine worship, meditative practice, and moral education. Methodologies include the integration of virtual reality (VR) and augmented reality (AR) to create immersive spiritual experiences, the fusion of traditional music and dance with sacred narratives, and the use of interactive storytelling to preserve religious symbolism. Case studies, such as the immersive encounter at Chang’an Twelve Hours and the evolution of Imitation Tang Music and Dance, exemplify how these innovations can restore the spiritual and philosophical depth of Tang-era performances. This study concludes that interdisciplinary collaboration and international partnerships can play a crucial role in sustaining the spiritual and cultural legacy of Tang Dynasty music and dance. By embedding these art forms within the broader discourse of religious aesthetics and philosophy, their revitalization can contribute not only to cultural preservation but also to the enrichment of contemporary spiritual thought in a globally connected world. Future research should further explore the role of sacred music and dance in interfaith dialogue and their potential to inspire a renewed understanding of religious and philosophical traditions.

[authors] => Array ( [0] => Array ( [givenName] => Zhang Lan [affiliation] => Shaanxi Preschool Normal University, Xi’an, Shaanxi, 710100 ) ) [keywords] => Array ( [0] => Innovative Approaches, Revitalize, Tang Dynasty, Music and Dance, Belt and Road, Cultural Exchange, Traditional Heritage ) [doi] => 10.24204/ejpr.2025.4294 [datePublished] => 2025-02-14 [pdf] => https://www.philosophy-of-religion.eu/menuscript/index.php/ejpr/article/view/4294/version/1679/3479 )
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SPIRITUAL AND PHILOSOPHICAL DIMENSIONS OF TANG DYNASTY MUSIC AND DANCE: CULTURAL REVITALIZATION IN THE 'BELT AND ROAD' ERA

Zhang Lan
Shaanxi Preschool Normal University, Xi’an, Shaanxi, 710100

DOI: https://doi.org/10.24204/ejpr.2025.4294

Abstract

The Tang Dynasty (618–907) stands as a pinnacle of cultural, artistic, and spiritual flourishing, with its music and dance embodying profound metaphysical, religious, and philosophical dimensions. Beyond their aesthetic appeal, these art forms served as mediums for spiritual expression, ritualistic practice, and intercultural religious dialogue, particularly along the Silk Road. However, the challenge of revitalizing Tang Dynasty music and dance in contemporary times requires reconciling historical traditions with modern sensibilities, integrating religious and philosophical reflections, and leveraging innovative technologies to enhance their spiritual resonance. This study explores the philosophical and religious significance of Tang Dynasty music and dance within the framework of the Belt and Road Initiative (BRI), emphasizing their role in fostering intercultural exchange, sacred aesthetics, and ethical values. A qualitative research approach is employed, incorporating historical analysis, case studies, and cultural hermeneutics to examine how these ancient art forms can be revitalized while retaining their transcendental and ritualistic essence. Drawing from Buddhist, Daoist, and Confucian influences embedded in Tang Dynasty artistic traditions, this research highlights how these performances once served as vehicles for divine worship, meditative practice, and moral education. Methodologies include the integration of virtual reality (VR) and augmented reality (AR) to create immersive spiritual experiences, the fusion of traditional music and dance with sacred narratives, and the use of interactive storytelling to preserve religious symbolism. Case studies, such as the immersive encounter at Chang’an Twelve Hours and the evolution of Imitation Tang Music and Dance, exemplify how these innovations can restore the spiritual and philosophical depth of Tang-era performances. This study concludes that interdisciplinary collaboration and international partnerships can play a crucial role in sustaining the spiritual and cultural legacy of Tang Dynasty music and dance. By embedding these art forms within the broader discourse of religious aesthetics and philosophy, their revitalization can contribute not only to cultural preservation but also to the enrichment of contemporary spiritual thought in a globally connected world. Future research should further explore the role of sacred music and dance in interfaith dialogue and their potential to inspire a renewed understanding of religious and philosophical traditions.

Keywords: Innovative Approaches, Revitalize, Tang Dynasty, Music and Dance, Belt and Road, Cultural Exchange, Traditional Heritage

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