Abstract

This analysis explored the convergence of traditional and digital elements in religious artworks, revealing a fascinating interplay that both reinterprets established themes and fosters new avenues for artistic expression. The case studies examined diverse media, from Bill Viola's video art manipulations to Sougwen Chung's integration of calligraphy with 3D animation. A prominent theme across these works is the concept of transformation and reinterpretation. Digital tools empower artists to manipulate and reimagine traditional elements, leading to fresh perspectives on religious themes and iconography. For instance, Laurie Lehtinen's "Mary in the Machine" utilizes algorithmic manipulation to challenge the traditional depiction of the Virgin Mary, prompting viewers to contemplate the role of faith in the digital age. Similarly, Bill Viola's video editing techniques in "Martyrs" transform a physical performance into a meditation on suffering and transcendence, blurring the lines between physical and spiritual realms. The impact on religious expression also emerged as a significant area of exploration. Digital media can expand the expressive potential of religious art, allowing artists to explore a wider range of emotions, concepts, and experiences. Another key theme is the hybridization of traditional and digital elements. This blending creates immersive environments that push the boundaries between physical and virtual spaces, impacting how viewers experience the religious aspects of the artwork. Sougwen Chung's "Bodhisattva in Data Stream" exemplifies this by merging traditional calligraphy, a practice imbued with spiritual significance, with 3D modelling and animation.