Abstract

Metaphors function not only as linguistic constructs but also as profound vehicles for spiritual and philosophical reflection in visual narratives. In cinema, multimodal metaphors—expressed through sound, imagery, and narrative structure—serve as powerful tools for conveying existential, ethical, and religious themes. Within the context of globalization and modernization, contemporary Chinese ethnic films often explore themes of ecological crisis, cultural displacement, and the search for identity. These themes, embedded in public consciousness, are projected onto the cinematic screen through a rich tapestry of multimodal metaphors, shaping audiences' perceptions of human nature, spirituality, and the cultural imagination of China’s ethnic minorities. Grounded in cognitive metaphor theory and philosophical hermeneutics, this study employs the Film Metaphor Identification Procedure (FILMIP) to analyze the Tibetan film Snow Leopard, directed by Pema Tseden. It examines how multimodal metaphors contribute to the cognitive construction of religious and philosophical meaning in Chinese ethnic cinema, mapping various modalities to explore their deeper metaphysical and moral connotations. Through an analysis of symbolic imagery, environmental motifs, and human-animal relationships, the study reveals how the film engages with Buddhist and indigenous spiritual traditions, reinforcing themes of karma, interconnectedness, and moral redemption. By investigating the role of multimodal metaphor in expressing transcendent and existential concerns, this research offers insights into how Chinese ethnic cinema fosters religious dialogue and shapes national and spiritual identity. The findings suggest that ethnic films, through their metaphorical richness, not only deepen audience engagement with cultural and religious narratives but also contribute to a broader philosophical discourse on faith, belonging, and the human condition. Future studies should further explore the intersection of religious symbolism, cognitive semiotics, and cinematic storytelling in constructing spiritual and philosophical meaning.